"Dearest Madame Seraphine, I hope this letter finds you in good health and better spirits than our last interaction might suggest. I write to you today in a spirit of reconciliation and mutual benefit, because holding grudges in this city seems terribly inefficient when we could instead be holding profitable partnerships. Regarding the recent unpleasantness with Elvina—I trust you’ve noticed her absence from your establishment and have drawn certain conclusions about her current whereabouts."
I paused for a moment, catching my breath. "You would be correct in those conclusions. She has been residing as my guest, though ’guest’ might be stretching the definition to its breaking point, and I find myself in the awkward position of having acquired property I’m not entirely sure what to do with. Here’s where you come in, and here’s where this becomes interesting for both of us: I’m willing to return Elvina to your custody, completely free of charge, as a gesture of goodwill and a foundation for potential future cooperation between our establishments. I understand she holds certain value—both monetary and informational—that might interest someone of your business acumen."
I began smirking at this next part. "All I ask in return is a brief meeting to discuss terms and perhaps explore other areas where our interests might align. No obligations, no tricks, just conversation between two professionals trying to navigate this absolutely insane city without killing each other in the process. If this interests you—and I rather suspect it might—please respond at your earliest convenience to arrange a time and location. I promise the meeting will be worth your while, and I make it a point never to waste people’s time when I’m trying to convince them I’m not actually a complete disaster to work with. With cautious optimism and genuine respect for your operation, Loona."
Julius applauded when I finished, his hands coming together with such enthusiasm that the sound echoed off the walls.
"Brilliant! Absolutely brilliant! The tone is perfect—self-deprecating enough to seem non-threatening but confident enough to suggest you’re not desperate! And that bit about ’guest’ stretching the definition—chef’s kiss!" He actually made the gesture, fingers bunched against his lips before spreading outward. "She’s going to eat this up!"
I pushed back from the desk and stood, rolling my shoulders to work out the tension that had settled there during the writing process. "We’ll see. For now though, we have more immediate matters to attend to."
I gestured toward the door with a flourish that probably looked ridiculous but felt appropriate given Julius’s energy had infected me. "It’s time for Tora’s first performance."
Julius leaped up from the bed with explosive energy, practically vibrating as he grabbed my arm and started pulling me toward the door.
"Oh this is going to be spectacular! I’ve been preparing the stage all morning, making sure the lighting is absolutely perfect, that the acoustics are optimized, that every single detail creates the ideal environment for Tora’s debut!"
He was talking faster with each word, his free hand gesturing wildly as we moved through the hallway. "I even convinced Willow to create some subtle illusion magic to enhance the atmosphere without overwhelming his actual performance—just gentle visual elements that complement rather than compete, you know?"
We made our way down to the main theater, and I felt my breath catch slightly at the sight that greeted us when we pushed through the doors.
The space was packed—not just filled but absolutely crammed with bodies pressed together, nobles and wealthy merchants occupying every available seat while others stood along the walls without complaint, which was remarkable given how unused to discomfort most of them were.
The crowd had apparently exceeded our wildest projections, drawn by word of mouth about a Glasswick performing in a slum theater, and the buzz of excited conversation filled the air like physical presence.
On stage stood Tora, looking so nervous I could see him trembling from the doorway, his white hair practically glowing under the stage lights Julius had positioned with such care.
His hands were clasped in front of him in that characteristic gesture of anxiety, and his crystal blue eyes darted across the crowd with the trapped expression of prey that had just realized the predator was much larger than anticipated.
I chuckled softly as Julius and I positioned ourselves near the door, finding a spot where we could observe without blocking anyone’s view, and caught Tora’s attention with a small wave.
He saw me and gave the most adorable little wave back—tiny, tentative, his fingers barely moving—and I offered him an encouraging nod that I hoped conveyed confidence even though I was secretly just as nervous as he looked.
Despite all his claims about being a proficient singer, about this being one of his primary trained skills, Tora was clearly being subjected to stage fright of the highest order. His breathing was shallow and quick, his shoulders were drawn up toward his ears, and he looked approximately three seconds away from either fainting or fleeing.
The lights began to dim then, Julius’s careful preparation paying off as the theater transitioned from bright illumination to something more intimate and focused.
The crowd’s chatter died away gradually, anticipation building as shadows gathered in the corners and the spotlight tightened around Tora’s small frame.
I watched him take a deep breath, then another, his eyes closing as he visibly centered himself, and when he opened them again something had shifted in his posture—the nervousness hadn’t disappeared but it had transformed into focus, into purpose.
Then he began to sing.
The first note emerged from his throat like light breaking through storm clouds, pure and crystalline and impossibly delicate, carrying across the space with the kind of clarity that made the air itself seem to still in reverence.
His voice was a living thing, breathing and flowing with organic precision, each syllable shaped with such care it felt less like hearing music and more like witnessing the physical manifestation of emotion rendered in sound.
The melody climbed and descended through registers that shouldn’t have been possible from someone with his frame, from someone who spoke with such tentative uncertainty in normal conversation, ranging from notes so high they seemed to brush against the ceiling and hang there trembling before descending into warm, rich tones that resonated in the chest like heartbeats.
There was magic in it—not the literal magic of spells and incantations, but something older and more primal, the kind of enchantment that happened when technical perfection married genuine emotion and created something that transcended both.
Each phrase built upon the last with architectural precision, constructing melodies that felt simultaneously ancient and newly born, familiar and completely unknown.
His voice carried textures that shifted like light through water—sometimes smooth as silk, sometimes rough with controlled vibrato, sometimes pure and untouched, sometimes colored with subtle ornamentation that added depth without overwhelming the fundamental beauty of the line.
The song itself was something I didn’t recognize, lyrics in a language that might have been old elvish or simply invented poetry, the words less important than the way Tora shaped them into vessels for pure feeling.
He sang of longing without naming it, of joy that existed alongside sorrow, of hope that acknowledged darkness without being consumed by it.
His hands had unclenched during the performance, moving now with unconscious grace to emphasize certain phrases, his entire body becoming part of the instrument as he swayed slightly with the melody’s natural rhythm.
The spotlight caught his white hair and made it glow like captured moonlight, created shadows on his face that shifted with each subtle movement, and for those minutes while he sang he wasn’t a nervous boy drowning in stage fright—he was a channel for something larger than himself, something that used his voice as its medium but existed independent of his physical form.
The audience had gone completely still, even the habitual fidgeters frozen in place, barely breathing because drawing breath too loudly might disturb the spell being woven across the theater.
When the final note came—a sustained high tone that seemed to hang in the air long after his lips had closed, lingering like the afterimage of bright light on closed eyelids—the silence that followed was absolute and sacred.
Nobody moved. Nobody spoke. The entire theater existed in suspended animation, processing what they’d just experienced and trying to find adequate response.
Then the applause started.
It began with a single person clapping—slow, deliberate, each impact of palm against palm echoing clearly—and within seconds the entire crowd had erupted into thunderous approval.
People were on their feet, nobles abandoning any pretense of restraint as they cheered and whistled and stamped their feet hard enough to make the floorboards shake. Some were openly weeping, tears streaming down faces that probably hadn’t shown genuine emotion in years.
I glanced at Julius and found tears streaming down his face in rivers, his expression caught between joy and something approaching religious ecstasy, his hands clapping so enthusiastically I worried he might injure himself.
"That was—he’s—I can’t even—" Julius couldn’t seem to form complete sentences, dissolved instead into incoherent sounds of delight between continued clapping.
I felt my own smile widening despite the emotions churning in my chest, warmth spreading through my body that had nothing to do with the crowd’s heat and everything to do with watching Tora take his bow—still nervous, still tentative, but also visibly pleased by the reception—and knowing we’d just witnessed something genuinely special.
This wasn’t just good for business, wasn’t just a strategic asset for our operation. This was art, real and true, and it made something in my cynical heart remember what beauty felt like.
The plan was now fully set in motion, I realized as the applause continued and Tora’s shy smile grew slightly more confident under the spotlight’s glow.
The letter would go out to Madame Seraphine tomorrow, Elvina would continue her daily poisoning routine to ensure proper motivation, and Tora’s performances would draw crowds that would give us cover and capital for everything else we were building.
It would only be a matter of time before the Ivory Gambit’s secrets were exposed, before we’d secured our position in the Pantheon, before all the pieces I’d been carefully arranging finally clicked into place and revealed the full picture of what we were creating here.
The game continued. The curtain had risen. And we were finally ready to perform.